All in criticism

On sleeves and social change: thoughts on the royal wedding

I warmed to my distaste of the dress, even watched it transform into a sort of fascination. I realized that the cause of my initial disappointment was rooted in increasingly petrified notions of pomp and circumstance, fairy tales, femininity, romance and glamour.  I am glad Markle rather shook us out of our comfort zones with such an austere choice.  It made the endeavor a very earthly, human affair rather than the inflated illusions of grandeur that royal weddings generally promote.  As Vanessa Friedman of The New York Times wrote, it was a dress for a person, not a princess.  

Nina Ricci's girl of the early morning hours

n fall/winter 2016, as much as he made this woman a real possibility, at the same time, he fashioned something of an apparition. The resultant combination of ordinariness and ephemerality was striking. Even his inky grey/blue color palette—colors deriving from the earth itself—enshroud her in an other-worldly aura.